Southeast Asian Art Exhibition
“Identities versus Globalisation?”
in Chiang Mai, Bangkok and Berlin
Press Release (in
Thai)
Following the success of the highly acclaimed
and innovative "The End of Growth?" exhibition in Chiang Mai and
Bangkok, the regional office of the Heinrich Böll Foundation
launched the idea for its new exhibition project “Identities
versus Globalisation?” in mid-2001. The project has now reached
maturity and will be shown at the Chiang Mai Art Museum between
February 7th and 29th 2004. The exhibition, comprising of more
than 60 of the most promising and ambitious artists from all 10
Southeast Asia countries can then be seen at the National
Gallery in Bangkok from May 8th – 28th and finally at the Dahlem
Museum Berlin from October 22nd 2004 – January 16th 2005. In
order to access the foremost artworks dealing with this theme
and those artists actively involved in so-cial analysis, the
curator of the exhibition, Dr. Jörg Löschmann, worked directly
in all countries involved identifying and cooperating with
co-curators and co-operation partners.
The theme of the exhibition stems from other
Heinrich Böll Foundation initiatives in the region where
identity building processes in modernisation and globalisation
this subject became increasingly central in intellectual,
conceptual and artistic manifestations as well as project
approaches. This recent development substantiates the role for
visual arts regionally as a unique and anticipatory power,
reflecting society and its concerns, pulling on the threads of
the past and weaving them into the future. With this eminent,
the foundation provided the partners with the space to develop
the theme in the context of the various nations, using
discussion to create a platform to raise awareness of
con-sequences and dangers, as well as to carry and support the
social aspirations and expectations. The exhibition deals with
one of the most taxing and contradictory questions that people
have to face, regardless of their level of awareness in respect
to it. The resulting art conveying the deepest insights of the
artists, touching the hearts and minds of the curious in one
sense or another. In certain cases, it will motivate the public
into a critical analysis of their own actions and how they are
perceived by and relate to wider society.
As with the first exhibition, the
inauguration of the event is to be embedded thematically by
related activities with a particular Asian flavour – not as a
stepping-stone but as an integral part of the exhibition
concept. In Chiang Mai for example, an international symposium
"Cultural Dimensions of Globalisation" along with a conference
"Debating Identity and Globalisation" will allow the artists,
art theorists and managers as well as other invited guest and
the public to debate these issues.
The exhibition in Berlin will serve to widen
the minds of Germans and other Europeans of all ages and
backgrounds to broaden their view of the region beyond the
re-emerging 'Tigers', undreamt of economic growth rates and the
tourist bandwagon.